Of the voices in film and television that have been labeled "distinct," Morgan Freeman's ranks with James Earl Jones (a.k.a. "the mellifluous) and Don LaFontaine, whose talent was such that the obscure title "that voice from the movies" could not have been more definite. Freeman's crisp and authoritative sotto voce is that of a story teller, a voice we imagine to be in the range of Aesop or Homer in a time when nomadic bards were the rock stars of their day. Freeman has narrated such critically acclaimed films as The Shawshank Redemption, Million Dollar Baby, and The March of the Penguins. In The Bucket List, Freeman's subtle and soothing narration is the iron thread which ties together the mind-blowing antics of Hollywood funny-man, Jack Nicholson. Despite an IV and patient gown (which calls up terms that are less endearing) Nicholson is certainly the best-looking octogenarian passed off by the industry since Estelle Getty. The only thing old about his portrayal of Edward Cole is the trite execution of outlandish comedy. A death-defying jump from an airplane and a joy ride in a Mustang draw disappointed sighs of "blah" rather than warm laughs. Audiences will be more amused to hear Morgan Freeman scream like a skinny teen from a horror film, not to mention learning that the world's rarest and most expensive beverage is made from animal crap.
Beverly Todd (Lean on Me, Crash) gives a memorable performance as Carter's determined and steadfast wife, Virginia. Sean Hayes (Will and Grace, The Cat in the Hat), however, is decidedly bland and out of place as Matthew, Edward's assistant (whom he calls Thomas because Matthew is "too biblical"). Hayes's most notable scenes take place in the beginning and end of the film, when viewers have no idea as to his identity or his purpose to the main plot. Nevertheless, the scenes give the film a round-circle feel, a fitting aspect for a piece on the subject of life. That death is merely a pit-stop and life a mere circuit on which beginning and end are one and the same are the main themes of this contemplative film that will charm viewers to live life to it's fullest, for "everyone is everyone" and years "like smoke through a key-hole."
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